🔥 Buy “Antichrist” on Bandcamp
MG MALGORS

Orthodox & Raw Black Metal — Malgors “Antichrist”

This record is not here to flatter you. Malgors wrote Antichrist to cut through habit and noise, to remind you why underground black metal exists at all: intent over ornament, danger over decoration. The guitars carve, the drums bruise, the bass drags cold air across the floor. Vocals do not console; they accuse, provoke, and pull the ear toward places where comfort has no purchase.

If you come looking for a safe, playlist-ready sheen, you will not find it here. If you come looking for orthodoxy sharpened to a point— tremolos that don’t prettify, atmosphere used as pressure rather than cushion, and timing that stays human—this is your banner.

Malgors — Antichrist (album cover)

Manifest: Intent Over Ornament

The reason Antichrist exists is simple: modern listening wants everything smoothed. Malgors refuses. The tracks strike with orthodox cadence, but nothing here is dogma for its own sake. Structure breathes. Riffs repeat until the ear stops wanting sugar and starts noticing shadow, the way a drum pattern loosens into a march and then snaps back into blast like a door slamming in an empty hallway.

Atmosphere is not decoration; it’s compression—air forced into a smaller room until it presses against your ribs. Melody appears only as a glint, the brief signal of a knife in failing light. Production is organic: no plastic gloss, no quantized grin, no coastal shine. You hear hands, lungs, scrape, and room. The imperfections are not errors; they are the proof that the thing is alive.

This is for listeners who stop the world and put a record on with intention. Not background. Not content. Music as a site of decision. When you buy it on Bandcamp, you don’t just own files; you keep that site open. You pay the toll that keeps noise from taking the throne.

About the Album

Antichrist is not a museum of reference points. It’s personal. It rejects the convenience of the scroll in favor of presence. The first minutes feel like frost on glass; you can see the shape on the other side but not the details. With time, the panes sweat, and the architecture behind them sharpens. What sounded like chaos reveals harness and tension; what sounded simple reveals the slant of a bass note that holds the whole roof up.

The record’s arc doesn’t chase novelty. It doubles down on pressure until it becomes a kind of clarity. It’s the honest way to be atmospheric: no pads for comfort, just space that drags the ear forward. The result is hostile, yes, but it pays you back if you stay.

Tracklist

Play it front-to-back. Let the early assaults set the blood; the mid-tempo marches widen the room; the closing cuts leave the doors open to weather.

#1
666
03:54
#2
Verrote
03:59
#3
Seelenwanderer
04:03
#4
Marschieren in den Untergang
03:49
#5
Ratata Boom Boom
03:28
#6
Golgata
03:44
#7
Nekromonikum
04:05
#8
Lilith, deine Kinder
03:59
#9
Ich bin die Finsterniss und das Licht
04:00
#10
Ketzer
04:01
#11
Kain, der Brudermoerder
03:49
#12
In nomine dei nostri
03:48
#13
Ich fuehle nur noch Hass
03:23
#14
Fuersten der Hoelle
03:35
#15
Antichrist
03:59
#16
Die Goetter Schweigen
04:15
#17
Der Falsche Prophet
04:00
#18
Der Pest Rufer
03:10
#19
Das Buch der Toten
03:42
#20
Blasphemie
02:54
#21
Barbie Puppe
03:44
#22
Aufstieg des Uebels
03:22
#23
Asmodaeus
03:01

FAQ

Is it “orthodox” black metal?

Orthodox in cadence and conviction—never cosplay. The forms are a language; the message is Malgors.

Raw or atmospheric?

Both. Raw at the core, atmospheric as pressure—not as padding.