How to Listen to Antichrist

Whether you’re entering black metal for the first time or you’ve collected tapes for decades, Malgors made Antichrist to reward attention. It’s not a playlist single. It’s a sequence, an arc that opens under repeated plays. This page is your roadmap: what to expect, how to hear it, and how to support it.

Malgors Antichrist Cover

A Listener’s Roadmap

First pass: Don’t analyze—let it hit. Focus on drum feel and the contour of the main riffs. You’re mapping pressure, not details. Notice how blasts collapse into militant mid-tempo; note where space opens and closes. If a phrase sticks (“a flare” in your mind), don’t chase it—let it come back on its own.

Second pass: Follow the bass. In black metal, bass often writes the horizon; here it’s a trench. Feel how it holds tension under the guitars. When the vocal enters, check how consonants carve into the room reverb— that’s the geometry that makes the record feel like a place rather than a collage.

Third pass: Track motifs. Malgors lets small shapes recur across the album. The job is to recognize when a figure returns under different weather. The ear learns the building, and you’ll start turning corners without thinking about it. That’s the moment the record stops being “content” and starts being a site.

Gear tip: If possible, use speakers or good open-back headphones. Lossless files preserve edges—cymbal hiss, low-end air, and vowel grit. Streams will show you the outline; ownership gives you the architecture.

What You’ll Hear

Guitars: serrated tremolo against frostbitten ambience; chords voiced to leave cold air in the center so drums can push through. Drums: blasts that move like weather patterns, breaking into marches that feel like doors thrown open. Bass: the undertow, drawing lines through chaos. Voice: not perched on top, but inside the mix—an instrument with teeth.

Antichrist doesn’t smooth your experience; it sharpens it. The production is organic because the album is meant to breathe in real rooms. On speakers, you’ll hear placement: not just “left/right,” but near/far, high/low. These are not studio tricks; they’re decisions for presence over polish.

Full Tracklist

Follow the order. It’s a path, not a playlist.

#1 666 03:54
#2 Verrote 03:59
#3 Seelenwanderer 04:03
#4 Marschieren in den Untergang 03:49
#5 Ratata Boom Boom 03:28
#6 Golgata 03:44
#7 Nekromonikum 04:05
#8 Lilith, deine Kinder 03:59
#9 Ich bin die Finsterniss und das Licht 04:00
#10 Ketzer 04:01
#11 Kain, der Brudermoerder 03:49
#12 In nomine dei nostri 03:48
#13 Ich fuehle nur noch Hass 03:23
#14 Fuersten der Hoelle 03:35
#15 Antichrist 03:59
#16 Die Goetter Schweigen 04:15
#17 Der Falsche Prophet 04:00
#18 Der Pest Rufer 03:10
#19 Das Buch der Toten 03:42
#20 Blasphemie 02:54
#21 Barbie Puppe 03:44
#22 Aufstieg des Uebels 03:22
#23 Asmodaeus 03:01

Support What You Want to Exist

In a world of endless scrolling, choosing a record is a statement. Malgors wrote Antichrist for people who still want music that resists convenience—danger instead of decoration, presence instead of polish. Owning the album keeps that possibility alive. Watching and sharing the videos keeps the channel breathing. Wearing the shirt tells the world where you stand.